Notes from Land's End: February 21

Offseason – The Television Series
By Laura Shabott 
February 21st, 2012 
Nathan Butera and Jake Fink


When I heard that locals were making a television series about Provincetown’s offseason, my first thought was: “I’m living it so why would I want to see a show about it, right?”


That was until I watched the OFFSEASON YouTube sizzler reel. NYU Film School MFA graduate (2005) Nathan Butera has created a winner of a show. He deserves a round of advanced applause for the professionalism and production quality that snarky, year-rounder me didn’t think was possible to create at the end of the world.


Provincetown.com
Nathan was kind enough to answer some of my burning questions about OFFSEASON:

Q: What inspired you to write and produce this television series?

A: I was in the middle of a divorce from the relationship that had initially brought me to Provincetown. When the marriage failed, I had already lived here for two winters. During that time, I was drawn to the theater and cast in OUR TOWN and THE MERRY WIVES OF WINDSOR. I directed short plays and attended the Playwrights Lab.



However, I’m a filmmaker at heart and considered leaving Provincetown for Los Angeles. When I really took the time to look around me and noticed all the untapped talent, stunning landscapes, classic architecture and all the writers, it was one of those ah-hah moments. This town has its own television station, radio station, airport, marina, art museum and cinema. I said to myself, “Duh, if I can't make films HERE, then I have no business going to LA anyway.”

Notes from Land's End: February 14






Stanley Kunitz, provincetown.com 

February 14th, 2012 



Provincetown is rich with works of ardor written by authors and playwrights who call our beloved town their muse. Let’s begin this Valentines Day online poetry slam with a brilliant jewel by former Poet Laureate and Fine Arts Work Center co-founder Stanley Kunitz:



Tennessee Williams, courtesy of Nola.com
YOUNG LOVE

At his incipient sun

The ice of twenty winters broke,
Crackling, in her eyes.

Her mirroring, still mind,
That held the world (made double) calm,
Went fluid, and it ran.

There was a stir of music,
Mixed with flowers, in her blood;
A swift impulsive balm

From obscure roots;
Gold bees of clinging light
Swarmed in her brow.

She is a tree in spring
Trembling with the hope of leaves,
Of which the leaves are tongues.

Her throat is full of songs,
She hums, she is sensible of wings
Growing on her heart.

Tennessee Williams changed the world with A STREETCAR NAMED DESIRE and THE GLASS MENAGERIE. His deep understanding of love and heartbreak is just as profound in this delicate piece: